Click top image to view larger and caption Nuzugum Lives Among Us Xinjiang, China by Eleanor Moseman Published June 2024 In Xinjiang, an autonomous region in Northwestern China, over one million ethnic Uyghurs have been apprehended by the government and now live behind the “Black Gate” (qara derwaza). As Uyghurs disappear, the women outside these prison walls face systematic repression. Women are forced into marriage with Chinese men, not allowed to speak their native language, and sent across China to work in factories. The worst-case scenario is their children being taken away and put into orphanages, subjected to human trafficking and alleged organ harvesting. The women of Xinjiang are true heroines. Even during these dangerous and precarious times, they live their life unobstructedly: as if their home's safety, love, and stability were guaranteed. Uyghur heroines are nothing new, as a Uyghur allegory dates back to the 19th century about a woman by the name of Nuzugum from Kashgar. In this story, Nuzugum “kills an enemy outsider and she is forced to marry rather than yield her chastity and bear his children.” The women of Xinjiang don't have blood on their hands but instead fight against outsiders with resilience, bravery, and dedication to their families and country. Eleanor Moseman Eleanor Moseman is a photographer, adventuress, and storyteller focusing on social and cultural narratives involving women and persecuted groups of people around Asia. More specifically, she visually conserves the politically sensitive regions of Tibet and Xinjiang, drawing international awareness to the humanitarian issues of persecuted Buddhists in Tibet and the Muslim Uighurs (or Uigur community) of Xinjiang. With a BFA in Photography and Film from Virginia Commonwealth University, Eleanor now uses her photography and storytelling skills to contribute to the research of anthropologists, historians, conservationists, and activists. She speaks fluent Mandarin and is beginning her third year of Tibetan language studies at Indiana University. Eleanor is deeply committed to women’s issues that range from persecuted Buddhist and Muslim women to female competitors in the World Nomad Games in Kyrgyzstan. In addition to her documentary-style work, Eleanor is also a noted architectural and interior photographer with assignments that have taken her throughout Asia and the United States. She also owns and manages a photography studio and gallery, “The Lone Huntress Photography Studio” in Dayton, Ohio where she creates portraits and displays her work from around the world. With Tibet being blocked off from the world since she left three years ago, Eleanor plans to return as soon as possible to continue her long-term work, begin new projects, and share how this delicate region has changed over the last few years. As one of the few photographers working continually in the region for over a decade, she feels a responsibility to document and share what has transpired politically, physically, and culturally since Covid changed the world. Follow Eleanor Moseman on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Partagez vos idées Soyez le premier à rédiger un commentaire.

Click top image to view larger and caption This is What Democracy Looks Like New York, United States by Jean Ross Published November 2024 The 2020 presidential election felt consequential to a degree unmatched by any other in my lifetime. As the election grew near, I set out to document the determination of my Brooklyn neighbors to exercise their right to vote. These images begin on the first day of early voting at the Brooklyn Museum, continue at Brooklyn’s Grand Army Plaza on the day the election was finally called for Joe Biden and Kamala Harris and at a January demonstration outside the Bay Ridge office of Congresswoman Nicole Malliotakis, who voted to overturn election results in Arizona and Pennsylvania. Jean Ross Jean Ross is a California-born photographer currently based in Brooklyn. She photographs places and the people who live in them. Jean has studied at the International Center of Photography and her work has been featured in solo shows at Viewpoint Gallery in Sacramento, California, and Gallery 1855 in Davis, California, and in group shows at the International Center of Photography and other galleries in Oaxaca, New York, and Los Angeles. < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption Working the Harvest in California California, United States by David Bacon Published November 2024 A multi-level portrait of a working-class community, Yakima, in central Washington state, revealing its human face of work and poverty. Images explore the geography of its barrios and workplaces, both the closed factory of Yakima’s past and the agricultural fields of its present. Originally intending to photograph farm workers, I wanted to show other dimensions of the Latino community, including houses and trailers, a closed plywood mill, a homeless encampment, and guest worker camps. One older man who came to the U.S. as a bracero and worked as a farm worker for many years was collecting cans for recycling to have enough money to eat. Photographing his hands is a tribute to all the work reflected there, and to the working people of Yakima. David Bacon David Bacon has been photographing the social movements of workers and migrants for three decades. His most recent book, about the U.S./Mexico border, is More Than a Wall/Mas que un muro. < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption A Photojournalist's Work in Gaza Gaza Strip Photos by Samar Abu Elouf. Text by Lauren Walsh Published February 2024 The headlines have captured the world’s attention. The photographs are starkly painful to view. But view them we must; they are important to see. Such images belong to a long history of terrible yet historically significant photographs—images of atrocity and devastation. In short, these are images that force the world to grapple with human suffering, even when politics and ideologies may get in the way. Such imagery provides a visual, evidentiary record, in this case of the ongoing destruction of the Israel-Hamas war. Now, four months into the war, well over 25,000 people have been killed (primarily civilians), two million Palestinians are internally displaced in Gaza, a genocide case against Israel is underway at the International Court of Justice at The Hague, and attacks in nearby countries pose the risk of escalating wider regional warfare. While the future remains uncertain, the searing images compiled here bear witness to what has already occurred. Samar Abu Elouf, a freelance photojournalist, documented the war’s effects in Gaza in the months after the October 7, 2023 Hamas attack. Her images were viewed globally, published in the New York Times and picked up elsewhere. She holds multiple journalism awards and the above photographs display what she witnessed and recorded in late 2023. As she said in November of that year: “There are constant strikes around me. There is fear, horror, anxiety.” The dangers of reporting on, including photographing, conflict have been well documented . Yet Sherif Mansour, the Middle East program coordinator at the Committee to Protect Journalists (CPJ), has characterized the Israel-Hamas war as “the most dangerous ” for journalists that the organization has ever seen. Such risks affect not only the local journalist population but carry impact for a broader global audience. As Mansour notes , “With every journalist killed, we lose our ability to document and understand the war.” Samar Abu Elouf has done that work – documenting in order to increase our understanding. She recently escaped Gaza. She has survived physically; she carries wounds internally. Her photographs, seen here, provide necessary if painful records, in hopes of a better, more just, more peaceful tomorrow. _____ Editor’s Note: The photos presented here in ZEKE by Samar Abu Elouf were taken while on assignment for The New York Times . Each of these images has already been seen by a global audience in numerous publications. We are very grateful to Samar for giving ZEKE permission to present them here. Samar Abu Elouf Samar Abu Elouf is an award-winning Palestinian photographer who has worked extensively in the Gaza Strip. She has covered many events in Gaza, including stories around gender, women’s and children’s lives, and the consequences of war. Since 2010, she has worked as a freelance photojournalist on assignment for outlets such as Reuters, The New York Times , NZZ Swiss Magazine, and others. Samar works with ZUMA Press to cover stories related to the COVID-19 pandemic for the International Committee of the Red Cross (ICRC) and other agencies. In May 2021, she worked on assignment for The New York Times to cover the 11 days of fighting between Israel and Hamas that destroyed essential infrastructure and killed more than 230 people, including several of her own relatives. Her images, both intimate and shocking, capture and convey the dignity of her subjects. One of her photos shows a 2,000-pound bomb that did not explode on a bed in a Palestinian home. Other images show family members in the destruction of their homes and mourning dead relatives. Since the October 7, 2023 attacks by Hamas on Israel, Samar continued to work in Gaza for The New York Times covering the destruction and human casualties caused by Israeli bombs, artillery, and ground forces. Samar has received mentorship and training in visual storytelling through World Press Photo, RAWIA, Noor Images and the Arab Documentary Photography Program, an initiative supported by a partnership between the Arab Fund for Arts and Culture, the Prince Claus Fund, and Magnum Foundation. Portions of this biography are from the Online Journalism Awards . Lauren Walsh Lauren Walsh is a professor at New York University and Founder and Director of the Gallatin Photojournalism Intensive. She is the author of Conversations on Conflict Photography (2019) and Through the Lens: The Pandemic and Black Lives Matter (2022), co-author of Shadow of Memory (2021) on the Bosnian War, and editor of Macondo: Memories of the Colombian Conflict (2017), among other titles. She is a leading expert on the visual coverage of conflict and crisis, as well as peace journalism. In 2023, she was named a Fulbright Specialist in Photography and Ethics. Follow Samar Abu Elouf on Instagram. < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption A Return to the Belly of the Beast United States by Edward Boches Published December 2024 “We’re going into the belly of the beast,” claimed one pro-life marcher, knowing that Boston remains among the most pro-choice cities in the country. That was in 2022, when the second annual Men’s March, organized by the Catholic radio host Jim Havens, brought 200 mostly white men to one of the country’s most liberal cities to spread their message that life begins at conception and that the Constitution must protect all “persons.” While the speakers’ words expressed how much they cared about life, the unborn, and the women who might bear them, there appears to be little to no empathy or compassion for women’s needs or the idea that abortion is healthcare and at times can even be life-saving. In the first three years of the march, which began in 2021, few counter-protestors, save a small cadre of kazoo-blowing clowns, showed up to confront the pro-life men. But in November 2024, that changed. A combination of continued outrage over the denial of abortion rights, and the re-election of Trump, seems to have energized young pro-choice activists, who showed up en masse to disrupt the march from Planned Parenthood on the border of Boston and Brookline to the Boston Common, three miles away. As the confrontation grew a bit tense, a Boston Police motorcycle escort, which annually leads the men to their downtown destination, appeared caught off guard by the counter-protestors and called out the SWAT teams from both the Boston Police Department and the Massachusetts State Police. While there was a lot of shouting, shoving, profanity and threats, and a number of arrests, no one was hurt and with a reinforced police escort, the Men’s March did make it to the Boston Common for their speeches and rally. These images, all from a one-day march in November 2024, are part of an ongoing project on abortion rights. Edward Boches Edward Boches is a Boston and Cape Cod-based documentary photographer. Interested in how photography can connect us, help us understand each other, and inspire empathy, Boches has photographed such diverse communities as inner-city boxers, former gang members, Black Lives Matter activists, transgender men and women, pro-life and pro-choice advocates, women shellfishers, and homeless writers. He makes it a point to meet and photograph at least one stranger every day. His work has been shown in museums and galleries that include the Griffin Museum of Photography (Winchester, MA); the Bronx Documentary Center (NY); the Cambridge Association for the Arts (MA); the Plymouth Center for the Arts (MA); the PhotoPlace Gallery (Middlebury, VT); the Providence Center for the Photographic Arts (MA); and in Boston at both the Bromfield Gallery (online) and Panopticon Gallery, among others. Boches’s work has also been distributed internationally by the Associated Press and has appeared in the New York Times, the Boston Globe, Sun Magazine, ZEKE Magazine, and the Provincetown Independent, where he is a regular contributor. In 2021 and 2022, he received multiple grants for public art installations for his community-based project Postcard from Allston. The project advocates for small businesses, raises money for local arts initiatives, and calls attention to how gentrification disrupts communities and affects the artists who reside there. Follow Edward Boches on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Oszd meg a gondolataidat! Legyél te az első hozzászóló!

Click top image to view larger and caption I was made to die but I’m here to stay with you Romania by Alexandra Corcode Published January 2025 Victor, 95, and Susana, 92, were married for over seventy years, living alone in the small village of Sângeorzul Nou in northern Romania. After losing their only child in 1993 and outliving family and friends, they relied solely on each other. Victor, blind for several years, became even more essential to Susana after she survived a sexual assault during an attempted robbery in 2019. Though Susana’s physical wounds healed quickly, the psychological scars lingered. Their already humble life in the nearly abandoned village grew harsher. Victor’s liver cirrhosis, worsened by the stress, led to his hospitalization and eventual death on October 8, 2019, leaving Susana to navigate her remaining days alone. Their story reflects the struggles of elderly Romanians left behind after four million people fled the country during the 1989 revolution. Without younger kin, they faced challenges: scarce access to resources, limited communication, unemployment, and violence. Though Victor and Susana once enjoyed a comfortable life, the lack of external support in their later years made survival precarious. Their story is a testament to the enduring love and support that sustained them through hardship. Alexandra Corcode Alexandra Corcode (b.2000), is a Romanian visual storyteller based between The Netherlands and Romania, with a focus on documentary photography. Corcode’s images aim to offer an emotional and psychological portrait of Romania that is poetic, dramatic, and picturesque. Her practice is characterized by its openness to engage with various individuals, communities, or ideas, fostering a sense of inclusivity and diversity in the creative process, extensive research, and an immersive approach to her subject matter. Through her photographic practice, she wishes to bring awareness to overlooked complex situations created by inequality, migration, poverty, tradition, loneliness, and traces of human absence. Alexandra embraces the photographic medium as a means to create encounters that establish relationships and question territories through memories, resilience, and generational transmission, with intimacy and dignity. Corcode is a recent graduate from the Royal Academy of Art (KABK), The Hague, with a BA in Photography. In 2023 she won the Tom Stoddart Award for Excellence from The Ian Parry Photojournalism Grant and was shortlisted for the Kassel Photobook Dummy Award with her book "Your Death is In My Hands". In 2022, she was selected as an "Emerging talent in photojournalism" by The Guardian and won the Canon Student Development Programme. Beyond those, she was selected to participate in the 35th edition of Eddie Adams Workshop in New York, having been published in Reuve 6 Mois - La Revue de Photojournalisme and has been selected for the New York Times Portfolio Review. Follow Alexandra Corcode on Instagram < Previous Next > comments debug Comments (1) Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Sort by: Newest Michele@michelezousmet.com 17h ago Beautifully written and photographed. I have spend time in Romania with abandoned elderly. Thank you for bringing this social issue to others. 💕 Like Reply

Click top image to view larger and caption Dreams From the War Catania, Sicily, Italy by Giuseppe Scianna Published May 2024 Nearly twenty percent of Ukraine's population of 38 million fled their country when the war started in February 2022. Of the 6.5 million who fled, 90% were women and children. Thanks to humanitarian aid from Italy, about 15 Ukrainians from Rzeszow have been brought to Catania, Sicily. The war in Ukraine has deeply influenced the lives of Ukrainian women, in the areas of both tradition and politics. The traditional perception of war as a male affair has been challenged by many women worldwide, including Ukrainian women. Many women have faced the war and its consequences in various ways, demonstrating active engagement through forms of resistance and support, both within their communities and through local and international organizations. Numerous Ukrainian women have found themselves facing the harsh reality of raising their children alone due to the loss of their husbands or the destruction of family ties. Many of them have taken on new roles to compensate for the loss of family income, and are facing challenges associated with relocating to a new country, such as communication with the local population, integration, and access to medical care. These challenges can pose risks to the mental and physical health of children. Giuseppe Scianna 'Born in 1999, Giuseppe Scianna is a freelance photographer based in Sicily. He graduated from the Italian Photography Academy and specializes in documentary photography and social reportage. His work primarily focuses on Sicily, with particular attention to social issues such as abandoned communities on the outskirts of cities and environmental pollution. He prefers medium to long-term projects that allow him to uniquely delve into the topics he addresses. He has collaborated with various NGOs, producing reportages both in Italy and abroad of varying durations. In 2022, he was awarded the third prize in the Lifestyle category at the Sony World Photography Awards. His images have been published in numerous national and international magazines. In January 2024, he was selected as a finalist in the Leica competition with the series "Day Life". ' Follow Giuseppe Scianna on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption What Does Freedom Mean To You? Wyoming, United States by Milo Gladstein Published December 2024 Following more than a year-long presidential campaign, it seemed that the word “freedom” was ever-present. Both political parties have tried to claim the word as their own, and each has very different definitions. This project tries to answer the question “What does freedom mean to you?” A wide range of people throughout Laramie County were asked about their definition of the word, and each agreed to have a portrait taken. Everyone got to choose where the portrait was taken and what they wanted to wear to ensure a completely unbiased approach to this project. The takeaways of this project should be left up to each individual who reads the quotes and views the photos. Milo Gladstein Milo Gladstein is an award-winning photojournalist and Staff Photographer for The Wyoming Tribune Eagle Newspaper based in Cheyenne, Wyoming. As photojournalists, it is our responsibility and privilege to be the eyes of a community. We have unique access to events and lives that might not be seen otherwise and sharing our images is part of our duty to the public. Milo’s documentary work focuses on stories of human interest. He has done work spanning from drag shows to rodeos and is comfortable in every setting. One of his most notable projects is Roughstock: Raised For The Job about what it means to be a true cowboy in today’s society. Milo dives deep into the people he covers, discovering what it means to be human through his work. Everyone has a story to tell, it’s all about finding the nuances of what makes us who we are while following our passions. Milo has won third place in the International Photography Awards Professional competitive event category for his project Roughstock: Raised For The Job . Follow Milo Gladstein on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Condividi i tuoi pensieri Scrivi il primo commento.

Click top image to view larger and caption Recovering From the Fierce Violence of Civil War 40 years after armed conflict devastated Peru between 1980 and 1995. Ayacucho region, Peru by Max Cabello Orcasitas Published January 2024 The Peruvian territories of Chungui and Oronccoy, with just over a thousand square kilometers in the mountainous Ayacucho region, were the scene of multiple massacres caused by the Maoist-inspired Sendero Luminoso (Shining Path) organization and the Peruvian military and police forces during the armed conflict that devastated the Peru between 1980 and 1995. 16% of its inhabitants were murdered: almost 1,300 victims; buried in 300 mass graves many of which have already been exhumed. These tragedies were not isolated events. Ayacucho was the region that concentrated the highest number of deaths and disappearances reported to the national Truth and Reconciliation Commission: of a total of 69,000 victims throughout Peru: 26,000 deaths (almost 40%) occurred in this region. Forty years later, Chungui and Oronccoy remain marginal areas. Both share extreme poverty and the precariousness of basic health and electrical services. Although they have experienced the restoration of their life rituals, the slow process of exhumations and search for the bodies that disappeared during those brutal years continues, waiting to be recognized by their relatives, most of whom are orphans and survivors of the conflict. Max's project, "Recovering From the Fierce Violence of Civil War" will be on display at the Bridge Gallery in Cambridge, Massachusetts, April 13-May 25, 2024, and at Photoville in Brooklyn, New York, June 1-16, 2024. Max Cabello Orcasitas Max Cabello Orcasitas (b. Lima, 1974) has been working since December 2009 on a project about the consequences of Peru’s civil war (1980-2000) in Chungui and other sites in Ayacucho, an Andean region that was fiercely struck by political violence. At the same time, he has been developing a series on how people celebrate on the outskirts of Lima and other Peruvian cities, demonstrating how modernity and tradition mingle in urban settings and among an emergent middle class mostly comprised by people who migrated from the Andes and the Amazon. He is a founding member of the Supayfotos, a group of documentary photographers based in Lima. Since 2006, Cabello has received numeous prizes and recognitions, and has collaborated extensively with local and international. Follow Max Cabello Orcasitas at < Previous Next > comments debug Comments (1) Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Sort by: Newest Guest Feb 08, 2024 Thank you—so many references to exhumed bodies. I imagine those were bones. Would have felt more complete to see the bones. Not a criticism at all. Just thinking the intimacy of that brings it home. There’s a distance I feel here and perhaps that’s intentional, but intimacy with this means we want to get closer. I’m missing the bones or perhaps images of those who were lost, that humanizes them even more. Like Reply

THE AMERICA ISSUE Fall 2022 Published by the Social Documentary Network PREVIOUS | NEXT ZEKE home page Subscribe VIEW CONTENTS or PREVIOUS | NEXT ZEKE home page | Subscribe Contributors Virginia Allyn spent most of her life in the San Francisco Bay Area where she started in the mid 1990’s telling stories with her camera. She worked in San Francisco’s Tenderloin and later moved to New York City where she continues doing street photography, looking for stories she wishes to tell. Barbara Ayotte is the editor of ZEKE magazine and the Communications Director of the Social Documentary Network. She has served as a senior strategic communications strategist, writer and activist for leading global health, human rights and media nonprofit organizations, including the Nobel Peace Prize- winning Physicians for Human Rights and International Campaign to Ban Landmines. David Bacon has been photographing the social movements of workers and migrants for three decades. His most recent book, about the U.S./Mexico border, is More Than a Wall/Mas que un muro. Michelle Bogre currently holds the title of Professor Emerita from Parsons School of Design in New York after a 25-year career teaching almost every type of photography class. She is also a copyright lawyer, documentary photographer and author of four books, with work published in various other books. She is currently trying to finish a long-term documentary project on family farms – @thefarmstories on Instagram – among other projects. Brian Branch-Price began his career as a freelancer for The Washington Post , then staffing with The News Journal in Wilmington, DE and The Associated Press in Trenton, NJ. He focuses on portraiture, reportage, and fine art photography. Brian has worked with Ebony magazine, GM, and others, and had several art exhibits at the Plainfield Public Library on his legendary Black gospel artists and veterans, including over 20,000 visitors. He holds degrees in Environmental Geology and Fine Arts from Howard University. Steve Cagan has been practicing activist photography since the mid-1970s. He is most concerned with exploring strength and dignity in everyday struggles of grassroots people resisting their pressures and problems. Major projects include “Working Ohio,” an extended portrait of working people; as well as Indochina; Nicaragua; El Salvador; and Cuba. His current major project is “El Chocó, Colombia: Struggle for Cultural and Environmental Survival.” He has exhibited and published on four continents, has won numerous awards, and co-authored two books. Proudly from New York City, where he grew up in the 1970s, Eric Chang currently lives in Washington, DC. His interest in photography started as a student at The High School of Art and Design and exploded years later on a trip to Nepal. Planning on taking photos of Mount Everest, he discovered he enjoyed photographing the Nepalese people and their culture more. His photography is motivated by curiosity about the world we live in and having compassion for others. Esha Chiocchio is a photographer and filmmaker using her combined knowledge of visual storytelling and sustainable communities to inspire social change. An optimistic realist, she focuses on solutions to social and environmental challenges. Her current project, “Good Earth,” highlights agrarians from diverse sectors who are revitalizing land and drawing carbon into the soil through regenerative practices. She has photographed around the world for publications, non-profits, and commercial clients, including National Geographic, High Country News, Jardins du Monde, and Bonefish Grill. Daniela Cohen is a freelance journalist and non-fiction writer of South African origin currently based in Vancouver, Canada. Her work has been published in New Canadian Media, Canadian Immigrant, The Source Newspaper, and is upcoming in Living Hyphen. Daniela’s work focuses on themes of displacement and belonging, justice, equity, diversity and inclusion. She is also the co-founder of Identity Pages, a youth writing mentorship program. Robin Fader has won numerous Emmy awards for her television and photography work. Her most rewarding work was documenting life on the streets of Washington, DC in 2020, including issues of racial and social injustice, rising fascism and the assault on reproductive rights. That work became part of a co-authored documentary photography book, 2020 UNMASKED. Her wish is that beyond her life, her photographs will help us remember, recover from, and ultimately repair, the wrongs of these troubled times. Nick Gervin is a documentary and fine art photographer from Portland, Maine and is the Executive Director of the Bakery Photographic Collective. Nick has had two traumatic brain injuries and now suffers from Post-Concussion Syndrome. As a disabled artist, all of his work is a direct result from his injuries. Nick’s work has been published in many local and international magazines, as well as in several photo books. He is currently working with Martin Amis and Tom Booth Woodger of Photo Editions on his forthcoming monograph, Portlanders. Lori Grinker is an award-winning documentary photographer and author. Her work has garnered many awards including an Ernst Haas Award, a Hasselblad Foundation Grant, and an Open Society Community Engagement Grant. She has published three books: The Invisible Thread: A Portrait of Jewish American Women, Afterwar: Veterans from a World in Conflict, and Mike Tyson . She is an Assistant Professor of Journalism & Design at The New School, and teaches part time at New York University’s Arthur L Carter Graduate School of Journalism. Grinker is a senior member of Contact Press Images and is represented by ClampArt Gallery in New York City. Cheryl L. Guerrero is a San Francisco-based photographer. Locally, she contributes to online media publications, chronicling life in the San Francisco Bay Area. Photography is a way for her to create and explore, while documenting life and relaying important stories. Her work revolves around people and the underlying themes of community, culture, and tradition. Daniel Hoffman is a professor and photographer. Over the past 30 years, he has completed a number of photo documentaries in numerous countries including the U.S., Japan, Kenya, Brazil, and Bulgaria on topics ranging from the lives of Roma as refugees, underground music clubs, religion and worship in marginal communities, and the changing face of Times Square. Raymond W Holman Jr is a corporate and documentary photographer with over twenty years’ experience located in Philadelphia, PA. His client list includes The Washington Post, Philadelphia Inquirer, New York Times, Politico, Philadelphia Health Department. Since March 2020, he has been working on a personal project titled “COVID-19 in Black America,” which focuses on how the pandemic has affected Black and Brown communities in Philadelphia, its surrounding area and Atlanta, GA. Anthony Karen is a documentary photographer based in New York. His passion for photography began in Haiti, where he continues to document Vodou rituals and pilgrimages. Long-term projects include extensive documentation of White separatists, leading to two books, exhibitions in Bulgaria, Italy, the annual Noorderlicht Festival and two screenings at Visa Pour I’Image international photojournalism festival in France. He associate produced Ku Klux Klan en pasaporte Pampliega for Cuerdos de Atar TV in Madrid and has collaborated on other similarly-themed documentaries. Born in the Kingdom of Bahrain, Ghada Khunji is a graduate of the Parsons School of Design and the International Center of Photography’s Documentary Program in New York. Khunji’s photographs are known for documenting both landscapes and people from all over the world and the inherent dignity of the human element. The recipient of several awards, including the Lucie Discovery of the Year, she has exhibited widely in the U.S., Europe, and the Middle East. Stephen Mayes is Executive Director of the Tim Hetherington Trust with 30 years’ experience managing photography in the areas of fashion, art, commerce, and journalism. As creative director and as CEO, he has written successful business plans and reshaped operations for American, Asian, and European imaging companies. Stephen acted as secretary to the World Press Photo competition 2004–2012. Often described as a “futurist,” Stephen has broadcast, taught and written extensively about the ethics and practice of photography. After three decades as an award-winning advertising creative director and writer in New York, Kevin McKeon turned his deep curiosity and love for compelling stories to documentary photography full-time in 2018. Kevin seeks projects that can open minds and have a positive impact. Projects include exploring unexpected interactions between strangers sharing benches along Coney Island’s boardwalk, marching with and documenting the Black Lives Matter marches throughout NYC and Washington DC, and capturing the working lives and strong community of Black rodeo cowboys in Southeast Texas. Dana Melaver is a writer and artist. Her work is rooted in the belief that everything is interesting, and often acts as a bridge among art, thought, and the sciences. Dana’s most recent projects include an experimental documentary about sustainable aquaculture, and an ode to the mischievous qualities of light. Jared Ragland is a fine art and documentary photographer and former White House photo editor. His collaborative, socially-conscious work critically confronts issues of identity, marginalization, and the history of place. He currently serves as Assistant Professor of Photography at Utah State University in Logan, UT. Susan Ressler is an artist, author, and educator who has been making social documentary photographs for nearly fifty years. Her work is in the Smithsonian American Art Museum, the Library and Archives Canada, the Los Angeles County Museum of Art (LACMA), and many other collections. Her first monograph, Executive Order: Images of 1970s Corporate America , was published by Daylight Books in 2018. Dreaming California: High End, Low End, No End in Sight, will be released by Daylight in 2023. Ressler lives in Taos, New Mexico. Jean Ross is a California-born photographer currently based in Brooklyn. She photographs places and the people who live in them. Jean has studied at the International Center of Photography and her work has been featured in solo shows at Viewpoint Gallery in Sacramento, California and Gallery 1855 in Davis, California and in group shows at the International Center of Photography and other galleries in Oaxaca, New York, and Los Angeles. A native of Jamaica, Radcliffe “Ruddy” Roye has crisscrossed the country engaging on a personal level with the African-American experience, combining deep research, writing, and self-reflection to contextualize what he sees for his viewers. As one of the premier innovators and artist-activists on the Instagram platform, he has amassed 300,000 followers and was Time ’s 2016 Instagram Photographer of the year. Widely exhibited and published, he has received assignments and been featured in such publications as The New York Times Magazine, National Geographic and Time . Boston-based Matilde Simas is a visual journalist who has a BS in Psychology and Women’s Studies and attended Rhode Island School of Design to study photography. Her images have been published in the Trafficking in Persons Report, an annual U.S. State Department report, and in Kenyan research publications to advance anti-trafficking efforts. With photography exhibited by various United Nations agencies, Matilde founded Capture Humanity, an organization supporting grassroots community initiatives with storytelling media. Jeanny Tsai is a photographer, storyteller, and lover of life specializing in documentary, ethnographic, and portrait photography. Jeanny has a passion for photographing people and cultures that express their devotion to the divine through rituals and celebrations and for those facing environmental or social challenges threatening established culturally rich ways of life, including in Brazil, India, Indonesia, Nepal, and the U.S. She desires that her photos convey a positive, uplifting testimony of people and places despite the existing external circumstances. Lizzy Unger is a photographer, storyteller and communications consultant based in the DC area. She uses photography to document and elevate the work of local activists and everyday people working for change. Kate Way is a critical educator, photographer, and documentary filmmaker based in western Massachusetts. Her interests lie in the intersection of media literacy, public education and policy, and social and economic justice. With a doctorate in Language, Literacy, and Culture, Kate is a Lecturer in the College of Education at the University of Massachusetts Amherst, and director of the Visual Literacy Project, a secondary school documentary photography program. Her photography has been published on numerous platforms. NEXT > ZEKE magazine is published by the Social Documentary Network (SDN) info@socialdocumentary.net | www.socialdocumentary.net SDN and ZEKE magazine are projects of Reportage International Inc., a nonprofit organization incorporated in Massachusetts in 2020.

Click top image to view larger and caption Bolivia and Hispanic Heritage New York City, United States by Lisa DuBois Published October 2024 The United States celebrates the rich history, culture, and significant accomplishments of 22 nations recognized during the observance of Hispanic Heritage Month (Sept. 15–Oct. 15). New York City acknowledges the significance of the varied cultural heritages of people who live there. This is evidenced by the numerous parades and festivals occurring annually. The borough of Queens in New York is home to a Bolivian community, including The Caporales San Simon, renowned for their dynamic and captivating dance performances at the Hispanic Parade and the Dance Parade in Manhattan. The Caporales is an Afro-Bolivian dance, referred to as Saya, originating from the Yungas region of Bolivia. The regalia, distinguished by wearing high heels and colorful attire, evolved from the adoration of the revered patron saint, the Virgin of Socavón. Lisa Dubois Lisa DuBois is a New York-based ethnographic photojournalist and curator. Her work focuses on subcultures within mainstream society. Her widely collected work on Black subculture in New Orleans is a demonstration of her deep love for history and tradition. She has exhibited her work both internationally and domestically, including at the Schomburg Cultural Center for Research in Black Culture, and at the Gordon Parks Museum in Fort Kansas. She has been interviewed on BronxNet, Nola TV, and Singleshot about her work. Lisa received a BFA from the School of Visual Arts and a degree in Metaphysical Science at the University of Metaphysics. As a freelance photographer, she has contributed to several major news publications and stock photo agencies including Getty, Post, and the Daily News. Lisa has been recognized by the Guardian and the New York Times for her work as a photographer and curator for X Gallery. Her most recent project as creative consultant and curator for ArtontheAve helped to launch the first socially distanced outdoor exhibition along Columbus Avenue in New York City. Lisa is a member of Enfoco and a contributor to Social Documentary Network and Edge of Humanity magazine. Follow Lisa Dubois on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption COVID-19 in Black America Pennsylvania, United States by Raymond W Holman Jr Published November 2024 In March 2020, I started working on a new personal project “Covid-19 in Black America.” From March until August 2020, I documented a group of Black doctors and nurses providing free COVID-19 tests in the Black communities of Philadelphia and surrounding areas. I am now creating environmental portraits of Black and brown-skinned people who have had first-hand experience with COVID-19 and recovered, have lost family members who have died from the disease, have been mentally challenged by the year of being socially isolated, and finally Black and brown-skinned people who have figured out how to adjust to the challenge and made a new pathway. Raymond W. Holdman Jr. Raymond W Holman Jr is a corporate and documentary photographer with over twenty years of experience located in Philadelphia, PA. His client list includes The Washington Post, Philadelphia Inquirer, New York Times, Politico, and the Philadelphia Health Department. Since March 2020, he has been working on a personal project titled “COVID-19 in Black America,” which focuses on how the pandemic has affected Black and Brown communities in Philadelphia, its surrounding area, and Atlanta, GA. Follow Raymond W Holman Jr on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption Good Earth United States by Esha Chiocchio Published November 2024 Good Earth celebrates New Mexican agrarians who are revitalizing land through regenerative practices—building soil, sequestering carbon, reducing toxins, and improving the health of people, plants, and animals. To better understand the range of regenerative techniques being employed, podcast host Mary-Charlotte Domandi and photographer Esha Chiocchio used interviews and photography to document the techniques of Native American land managers, farmers, composters, ranchers, goat herders, orchardists, and soil scientists to improve the foundation of society: soil. This series provides a window into regenerative land stewardship and demonstrates how we can all play a role in rehabilitating the good earth. Esha Chiocchio Esha Chiocchio is a photographer and filmmaker using her combined knowledge of visual storytelling and sustainable communities to inspire social change. An optimistic realist, she focuses on solutions to social and environmental challenges. Her current project, “Good Earth,” highlights agrarians from diverse sectors who are revitalizing land and drawing carbon into the soil through regenerative practices. She has photographed around the world for publications, non-profits, and commercial clients, including National Geographic, High Country News, Jardins du Monde, and Bonefish Grill. Follow Esha Chiocchio on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Compartilhe sua opinião Seja o primeiro a escrever um comentário.

Click top image to view larger and caption Drowned History Turkey by Mustafa Bilge Satkin Published April 2023 The construction of the Ilısu Dam in Turkey had devastating impacts on the local community and environment in the Dicle Valley, a 100 km-long area along the Tigris River. The project resulted in the displacement of over 10,000 people, most of whom are Kurdish and Arabic, and the submergence of 198 villages, including the ancient city of Hasankeyf, one of the world’s oldest continuously inhabited settlements. Despite this, the dam was constructed as part of the state’s water policies, with little regard for the consequences it would have on the local community and environment. The inhabitants of villages were forced to abandon their ancestral homes, sell their livestock, and move to a hastily built new town. The process of moving was emotionally distressing, as people had to exhume the graves of their loved ones and carry their remains to the new town so future generations could visit their ancestors. Mustafa Bilge Satkın Istanbul-based Mustafa Bilge Satkın is an independent award-winning documentary photographer with a doctorate in photography from Mimar Sinan Fine Arts University. Primarily focused on the Middle East, his work has been published by Anadolu Agency and others, and he has participated in national and international solo and group exhibitions. With the hope for a better world, he focuses on social injustice, climate change, and migration issues. < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Share Your Thoughts Be the first to write a comment.

Click top image to view larger and caption Turtles and Sparrows United States by Lauren Owens Lambert Published May 2024 Turtles: Water temperatures plummet in November in Cape Cod Bay. Kemp’s ridleys, the most endangered sea turtle in the world, wash up, cold-stunned, onto the inside edge of the hook-shaped Cape. The phenomenon is the largest recurring sea turtle stranding event in the world but such strandings are increasing due to climate change and successful conservation work in their nesting beaches in Mexico and Texas. Sparrow: The saltmarsh sparrow is the only bird species that breeds exclusively in the saltmarshes of the Northeast U.S. Found nowhere else on earth, they could soon face extinction due to rising seas from climate change. More than four out of every five saltmarsh sparrows have disappeared in the last three decades, with an estimated population decline of 87 percent. Now, a 200-kilometer-long hybrid zone exists in New Hampshire and Maine between the saltmarsh sparrow and the Nelson's sparrow. Depending on what traits the saltmarsh sparrow picks up, it could help future generations adapt to climate change. The sparrow is currently under consideration for federal protection under the Endangered Species Act, with a decision expected in September 2024. Lauren Owens Lambert Lauren Owens Lambert’s work has a creative focus on documenting the human aspect of conservation, climate change, and our relationship with the natural world during the age of the Anthropocene. In her work, she places people as part of natural cycles, a perspective that is sometimes lost in contemporary society. Her work has been published in National Geographic, Audubon Magazine, BioGraphic, Smithsonian Magazine, and National Wildlife Magazine . She freelances with news organizations such as Agence France-Presse and Reuters. She is an Associate Fellow at the International League of Conservation Photographers and a contributing photographer with Everyday Extinction and Everyday Climate Change. Lauren has shown in exhibitions at Photoville and has presented work at the United Nations on the importance of visual storytelling with ocean science and data communication. Follow Lauren Owens Lambert on Instagram < Previous Next > comments debug Comments Write a comment. End comment with your name (optional) Write a comment. End comment with your name (optional) Jaa ajatuksesi Kirjoita ensimmäisenä kommentti.

Read ZEKE Digital Click here to subscribe to print edition. Click here to order individual issues Click below to read online. Fall 2024: Twentieth Issue of ZEKE Read PDF of p rin t version » Featured photography portfolios: Shishmaref: A Native Struggle by Nima Taradji Jamyang Tsomo: The Daily Life of a Tibet Woman by Eleanor Moseman Male Survivors of Sexual Abuse in Mexico by Héctor Adolfo Quintanar Pérez Black Childbirth by Benita Mayo and Brian Branch-Price Homeless in the Shadows of the Jungle by John Simpson Other content: Interview with Rehab Eldalil by Daniela Cohen Seven Photographers 30 and Under Who Are Making a Difference by Glenn Ruga Book Reviews Between Fears and Hope b y Fabrice Dekoninck Manifest: Thirteen Colonies b y Wendel White We Cry in Silence by Smita Sharma On the National Language by B.A. Van Sise Briefly Noted Spring 2024 Read PDF of p rin t version » Featured portfolios include: The Evenki People: Custodians of the Resources of Yakutia by Natalya Saprunova Guardian of the Forest by Sarah Fretwell The Stateless by William Daniels The Price of Patriotism: Ukraine at War by Małgorzata Smieszek Scenes from the Peruvian Post Conflict by Max Cabello Orcasitas Turkana's Resilience by Maurizio Di Pietro Other content Carbon, Cartels, and Corruption by Sarah Fretwell Women Changing the Face of Documentary Photography by J. Sybylla Smith A Photojournalist’s Work in Gaza Photos by Samar Abu Elouf. Text by Lauren Walsh The Impact of AI and the Future of Visual Storytelling by Barbara Ayotte Book Reviews Atacama: Renewable Energy and Mining in the High Desert of Chile by Jamey Stillings Ukraine: A War Crime by Lauren Walsh The Mennonites by Larry Towell, reviewed by Michelle Bogre Briefly Noted Fall 2023: The Incarceration Issue Read PDF of p rin t version » Contents What My Daughter Learns of the Sea: Women in Las Calinas Detention and Reentry Facility By Brian Frank Life After Life in Prison: The Bedroom Project By Sara Bennett Quests for Authenticity: Artists in California Prisons By Peter Merts The Prison Within By Katherin Hervey and Massimo Bardetti Still Doing Life: 25 Years Later By Howard Zehr Absence of Being By Michele Zousmer Final Exposure: Portraits From Death Row By Lou Jones Incarceration of a Nation By Christopher Blackwell Open Eyes Within Hidden Places By April Harris Interview With Jamel Shabazz By Ryan M. Moser Book Reviews Spring 2023 Read PDF of print version » Contents Piatsaw: A Document on the Resistance of the Native Peoples of Ecuadorian Amazon Against Extractivism by Nicola Ókin Frioli Women's Bodies as Battlefield by Cinzia Canneri Too Young to Fight, Uk raine by Svet Jacqueline Picturing Atrocity: Ukraine, Photojournalism, and the Question of Evidence by Lauren Walsh Drowned History by Mustafa Bilge Sakin Connecting the Caucasus by by Nyani Quarmyne The Queens of Queen City by Michael Snyder Displaced by Jean Ross Red Soil: Colonial Legacy in Maasai Land by Rasha Al Jundi The Longest Way Home by Antonio Denti Inte rview with Chester Higgins Book Review : Chris Killip Profile : Cinzia Canneri Fall 2022: The America Issue Read onli ne » For eight years, ZEKE magazine has been publishing stories about the global human condition, but rarely has that involved the United State s. Clearly the U.S. is part of the global community and we need to look at ourselves as much as we critically look at other parts of the world. The Fall 2022 issue of ZEKE focuses on “America” and takes inspiration from Robert Frank's seminal work, The Americans , published first in 1958 in France and the following year in the U.S. Highlights include: What Has Been Will Be Agai n by Jar ed Ragland COVID-19 in Black America by Raymon d W Holman Jr. This is What Democracy Looks Like by Jean Ross Arming Teachers in America by Kate Way White Nationalism by Anthony Karen First Nations: Portraits of Dancers and Wisdom Keepers by Jeanny Tsai Also included: Essay by Stephen Mayes on Who We Are: Photography and the American Experience Interview with photographer Donna Ferrato by Michelle Bogre Book Reviews Spring 2022: Sustainable Solutions to the Climate Crisis Read online » Guest Editor: Michael O. Snyder ZEKE Award for Systemic Change winners Indigenous Fire » by Kiliii Yuyan
 The Indigenous Peoples' Burn Network is training others in an ancient technique of ecological restoration, which is to safely light low-intensity fires in wet seasons that remove the small fuels on the forest floor. Nemo's Garden » by Giacomo d'Orlando
 Nemo’s Garden—the world’s first underwater greenhouses of terrestrial plants—represents an alternative farming system dedicated to those areas where environmental conditions make the growth of plants almost impossible. Other Featured Content Permagarden Refugees
 » by Sarah Fretwell The Palabek refugee settlement in Northern Uganda, with the staff of African Women Rising’s (AWR) Permagarden Program, works with refugees to utilize the existing resources—seeds, rainfall, limited land, and “waste”—and together build an agriculture system designed to help the environment regenerate and get stronger as it matures. Sustainable Solutions to the Climate Crisis » 
 by Antonia Juhasz Interview with Kiliii Yuyan » by Caterina Clerici Dispatches from Ukraine by Maranie Staab Book Reviews Edited by Michelle Bogre Fall 2021 Read » ZEKE Award Winners Awake in the Desert Land by Sofia Aldinio This ongoing project documents how climate change is uprooting small, inland and coastal communities in Baja California, Mexico that depend directly on natural resources to survive and thereby threatening cultural heritage. Path Away by Nicolò Filippo Rosso Two months after Hurricanes Eta and Iota hit Central America, 11 thousand people gathered in San Pedro Sula, Honduras, starting the first migrants' caravan of the year directed to the U.S. The migrants’ crossing through gang-controlled areas, deserts, and jungles was made even harder by the pandemic. Other Featured Content Article by Daniela Cohen exploring migration from Central America, the factors driving hundreds of thousands of people to leave their homeland seeking a new life in North America, and the traumas along the way. From Tulsa to Minneapolis: Photographing the Long Road to Justice. Photographs by 27 Black photographers documenting this extraordinary time in American history. Text by Tara Pixley Photography and Social Change by Emily Schiffer The Emptying of the Andes Photographs by Emiliano Pinnizzotto Interview with Joseph Rodriguez by Caterina Clerici Book Reviews edited by Michelle Bogre Spring 2023 Spring 2021 Read entire issue B A N G L A D E S H Guest Editor: Mohammad Rakibul Hasan Rohingya. Photographs by Turjoy Chowdhury, Sarika Gulati, Mohammad Rakibul Hasan, Richard Juilliart Climate Crisis. Photographs by MD Sazzadul Alam, Saud A. Faisal, Moniruzzaman Sazal Covid. Photographs by Nazmul Hassan Shanji Domestic Violence. Photographs by Khaled Hassan and Md. Zobayer Hossain Joati U N I T E D S T A T E S Siege of the US Capitol. Photographs by Maranie Rae Staab OTHER MATERIAL Interview with Shahidul Alam by Michelle Bogre Book reviews, additional articles, and more... Fall 2020 Entire issue Last Wildest Place by Jason Houston exploring the Purús-Manu region in southeastern Peru—home to perhaps the highest concentration of isolated tribes on Earth. Cousins by Kristen Emack explore the lives four Black girls—her daughter and three cousins—as they have matured and the intimate and spiritual knowledge that is both ordinary and extraordinary. Pandemic in Focus . Thirty four photographers from around the globe present their work exploring the global pandemic Black Lives Matter . Five photographers present photos from BLM demonstrations across the US. What is Documentary? Michelle Bogre explores this question in an essay adapted from her book Documentary Reconsidered. Book reviews , additional articles, and more... Spring 2020 Special issue on Africa featuring work by photographers living and working in Africa today. Entire issue. Contents (underlined articles are available as individual downloads) Godmothers of War (Mozambique) by Amilton Neves City Entrapped (Egypt) by Amina Kadous Among You (Morocco) by M'hammed Kilito Nation Forgotten (Nigeria) by Omoregie Osakpolor Soweto Punk (South Africa) by Miora Rajaonary Other Worlds (Mali) by Moussa Kalapo Un/Settled (South Africa) by Sydelle Willow-Smith #BlackDragMagic (South Africa) by Lee-Ann Olwage Interview with Côte d'Ivoire photographer Joana Choumali by Caterina Clerici Africa's Visual Vernacular by Uche Okpa-Iroha Book Reviews And more... Fall 2019: ZEKE Award Winners and more... Entire issue Youth of Belfast, Photographs by Toby Binder, Text by Alessandra Bergamin Delta Hill Riders , Photographs by Rory Doyle, Text by Zeb Larson Rising Tides . Photographs by Sean Gallagher, Lauren Owens Lambert, Michael O. Snyder, Text by Tammy Danan Out of the Shadows: Shamed Teen Mothers in Rwanda, Photographs by Carol Allen-Storey Aesthetics of Documentary: Why Good Pictures of Bad Things Matter by Glenn Ruga Interview with Lekgetho Makola by Caterina Clerici Book reviews Spring 2019: Roma & Travellers Entire issue Along the Highway, Photographs by Emeric Fohlen Irish Travellers in County Cashel and Tipperary , Photographs by Michele Zousmer No Happiness Without Children—Nane Chavem, Nane Bacht, Photographs by Jeannette Gregori RomaRising, Photographs by Chad Evans Wyatt, Text by Mary Evelyn Porter Irish Travellers: Unwelcome in Their Own Land, Photographs by Stephen Gerard Kelly A Roma Village in Rural Romania, Photographs by Ruti Alon Czech and Slovak Roma on the Margins, Photographs by Åke Ericson Lives on the Edge, Photographs by Carla Fiorina History of Romani People by Damian La Bas Denied Education : Why Romani Children Don't Finish School by Margareta Matache Reconsidering Koudelka's "Gypsies" by Michelle Bogre Interview with Roma photographer Artur Conka Book reviews Fall 2018 issue: Documentary in the Era of Post-Truth Entire issue Where the River Runs Through: The Erosion of the Amazon Rain Forest Photographs by Call for Entries winner Aaron Vincent Elkaim Text by Enrique Gili Rhythm of the Seasons: Traveling North with the Last of the Inuit Hunters Photographs by Philippe Geslin. Text by Tori Marlan Life & War in Ukraine Photographs by Michele Cirillo, Aude Osnowycz, and Jan Zychlinski Text by Glenn Ruga Image in the Era of Post-Truth by Fred Ritchin Book Reviews Spring 2018: The Women's Issue Entire Issue Vital Signs: Climate Change in Antarctic Waters. Photographs by Amy Martin, winner of Through a Woman's Lens Call for Entries. Writing by Anne Sahler Deconstructing Power: Faces of Sexual Violence. Photographs by Anica James, Diana Zeyneb Alhindawi, and others. Writing by Ladan Osman Women Work. Photos by Joan Lobis Brown, Beata Wolniewicz, Delphine Blast, Vidyaa Chandramohan, Valerie Leonard, and Susan Kessler. Writing by Ezinne Ukoha. Interview with Ethiopian Photographer Aida Muluneh by Caterina Clerici Through a Woman's Lens: A Survey of Women Photojournalists since 1898 by J. Sybylla Smith Book Reviews. Books by women photographers. Reviews by women writers. Fall 2017 Issue Entire Issue The Positive Community: A Positive Future for People Living with AIDS. Photographs by John Rae Vietnam Reconsidered. Photographs by Catherine Karnow, Monia Lippi, Sascha Richter, Astrid Schulz, and Mick Stetson ISIS: The Ideology of Terror & the Battle for Mosul. Photographs by Younes Mohammad and Gabriel Romero Interview with Afghan photographer Farzana Wahidy The Ambiguity of Pressing the Shutter: Ethics in Photojournalism . By Allen Murabayashi Book Reviews Spring 2017 Issue Entire Issue Toy Soldiers: The Rise of Nationalism Among Youth in Russia: Photographs by Sarah Blesener Iran by Iranians: Photographs by Azad Amin, Ariz Ghaderi, Saeed Kiaee, Mehdi Nazeri, Sadegh Souri Between Life & Death: Maternal Health in Haiti and Sub-Saharan Africa: Photographs by B.D. Colen, Nikki Denholm, Paolo Patruno Taking Pictures, Taking Action: SDN asks scholars, activists, and photographers how images can change the world: by Anna Akage-Kyslytska Interview with Furkan Temir, by Caterina Clerici Book Reviews Fall 2016 Issue Entire Issue Cuba: Photographs by Susan S. Bank, Fulvio Bugani, Susi Eggenberger, Michael McElroy, Carolina Sandretto, Rodrigue Zahr The Stateless Rohingya: Photographs by Sheikh Rajibul Islam, Marta Tucci, David Verberckt Vinny & David: Life & Incarceration of a Family: Photographs by Isadora Kosofsky Interview with Malin Fezehai Where is the Still Image Moving To? : Conversation with Fred Ritchin, Kristen Lubben, and Lars Boering Book Reviews Spring 2016 Issue Entire Issue Law & Order: Photographs by Jan Banning with text by Lisa Liberty Becker Forgotten Caucasus: Photographs by Ara Oshagan, Daro Sulakauri, and Jan Zychlinski with text by Anne Sahler Interview with Sergey Ponomarev Documentary vs. Journalism by Paula Sokolska After Rana Plaza: Photographs and multimedia by Ismail Ferdous with text by Caterina Clerici Fall 2015 Issue Entire Issue Gender Neutrality: Photographs by Mariette Pathy Allen, Miguel Candela, Nima Taradji Syria Unhinged: Photographs by Maryam Ashrafi, Nish Nalbandian, Yusuke Suzuki Interview with Marcus Bleasdale Spring 2015 Issue: Entire Issue Water/Scarcity: Photographs by Rudi Dundas and Daniel Roca Rio/Brazil: Photographs by Dario De Domenicis and Tiana Markova-Gold Interview with Matt Black Click here to subscribe or order individual issues.